Imad MANSOUR, by his choice of themes, always seems to find difficulty, the challenge, in view of the other , our vision as observers. In his videos, humans inhabit a scene that sometimes something theatrical. The world as a perspective, as askance, as a reflection. Sesvidéos sow doubt about l! opposition between inside and outside, front or back, between reality and its reproduction, between communication and silence, between man and woman. The mixture of traditional concepts makes communication possible between opposites that eventually resolves itself. Imad Mansour
lets his characters right on their appearance, and he places them in the right light and let them express their own way, exposing the complexity of the characteristic of each of them. This leads to the essence of what "he wants to show through the filter of personal view, gaze, and he discovers that seduces the viewer to take them to the known l! as new and as other.
Jesus M. Castano
; 
He studied fine arts and film at the School of Fine Arts in Baghdad, the scene at the Jacques Lecoq International School
and stage design at the Laboratory of Movement Studies in Paris. He began his career as an illustrator for the magazine Madjellati.
and stage design at the Laboratory of Movement Studies in Paris. He began his career as an illustrator for the magazine Madjellati.
Impregnated in Mesopotamian art, Imad Mansour reinvented through paintings, sculptures, performances, installations and videos, a language with a legacy d! echo vibrates at present.
Artist Franco-Iraqi, living in Rabat, his work ranges from an aesthetic and also the critical engagement with accents whistleblowers. It directs its research towards dynamic creations of space and rythme.Toutes his works are in motion, people or material. Diverse in form, its expression in multiple, varied in its materiality, his work explores the mechanisms of vision and place the viewer.
His videos sow confusion about the opposition between inside and outside, between reality and reproduction, between communication and silence. His creations jostling the audience into his vision of the other, in his vision as a spectator.
Imad Mansour's work is part of the movement of Conceptual art, sculptures, installations and
his videos are of viewpoints between a past still present in and through matter and a future intemporel.Unie in its genesis, in its plural forms, the work of Imad Mansour merges into a perpetual motion in search of its origins, those of the world and the self.
With artists in Morocco it creates the collective 212.
Since 2002 he lives and works between Morocco and France.
imadm212@gmail.com
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