Cheerleading Nationals Jackets

Soon a new show!


http://sites.radiofrance.fr/franceinter/em/interception/index.php?id=93182


Sunday, July 18, 2010

Replay: No age for sharing

The more than 60 years are about 13 million today in France. In 30 years, they should represent approximately one third of the French population, according to demographers. At retirement, these women and men still in perfect health are found more often alone. By choice, because they have divorced or are widowed because their children live far away. This loneliness, many fear it and do not want to lock myself. Many are also faced with the cost of increasingly exorbitant housing. For these "young" retirees, retirement home, too synonymous with end of life is not a solution.
They are therefore more likely to consider a formula that we previously thought reserved for students: a roommate. The phenomenon is already highly developed and structured in countries of Northern Europe, like Germany. In France, it is still very embryonic, but it is probably known to grow, judging by the success encountered by the associations that have sprung up in recent years to promote the roommate of seniors.

Marie-Christine Le Dû Macchietti Lawrence and met some of those retirees who live or want to live Shared. They also met some people who are still active but, nearing retirement, inform and question the possibilities of adopting this lifestyle or looking for their parents.

Waxing And Hemorrhoids

Jonathan RUBIN

Synopsis: A man goes
on a tropical island, where he attends a ceremony of "turning of the dead. This experiment marks the beginning of a profound transformation of his perception and his dreams. He embarks on a trip and finds its lightness forgotten.
's Statement:
To make my film "Have you been stung by a dead bee? "I left a story of castaways who survived five years on an island lost in the Indian Ocean. On the night of July 31, 1761, the Utile, a French slave ship, ran aground on a sandbar off the coast of Madagascar. On this island completely devoid of vegetation and shade, the survivors began to build a makeshift boat from the remains of the damaged vessel. For lack space, only the white crew could climb aboard the raft. The slaves were then left with the false promise that they would find them quickly. Forgotten, these men and women in Madagascar, have organized themselves to survive on this remote piece of land. They eat turtles and birds, dug a well to drink water filtered through the coral and managed to keep some fire with debris from the wreckage. Then one day, by chance, fifteen years after the sinking, a corvette of the French navy saw them and collected the remaining survivors, seven women dressed in feathers and braided a baby.
By discovering this story, I was captivated by the will to live of the survivors, which enabled them to withstand isolation, abandonment, disease, and not go crazy in this environment inhospitable. I do not want to adapt this story, but finding that energy or survival instinct survivors who had lived during these years.
It was important for me to turn on or near the site of this resistance in order to find the elements and natural conditions encountered which had been shipwrecked. The filming took place on the small island Nosy Boraha, off Madagascar, a few miles from this place of misery.
Various drivers are then grafted from around the first story. In preparing for the filming, I discovered a funeral rite peculiar to this region called Famadihana, or "turning ceremony for the dead", which involves digging up the bones of the deceased to allow his soul to join the world of ancestors. This is one of the only events specific to the slaves that is still practiced forgotten TODAY! Hui. Faced with many deaths, Presumably the Malagasy have abandoned the ritual practiced to release the souls of their dead. It is through this ritual that I linked my story to the shipwrecked, and I started my film. During the preparation of the shooting, many media have discussed the mysterious disappearance of bees. I'm interested in those who survived. In the hollow of a tree, I filmed a colony of wild bees for relief. This image of empty teeming referred me to the wells dug by the castaways to survive, and holes dug by the Malagasy people to deliver the soul their dead. Gradually, these stories of life and death came together to give birth to my film. Rather than a story written before that I filmed and cut, I worked out this short film in stages, like a journey. I moved to grope with the hesitations and doubts that accompany the first time.
Thus, the pace is rather slow. There is no dialogue, no words are spoken. As I like to think it is a fiction that all plans are documentary, a film where this is not reality that counts but what the imagination can do.

jrubin@dhda.fr

Pulsating Pain Between Thumb And Finger

Saâd TAZI

The world around us, challenges us at every moment. Little by little, the eye picks up the pieces forming the insignificant parts of the map of an imaginary territory. Nothing spectacular, just a celebration of simplicity and an invitation to watch.
Every day, we travel for miles to connect one point to another by going to the "essential", that is to say, looking at nothing. The journey becomes a dead space that needs filling. Through reading, through music or simply fatigue.
In today's world which beats the freedom of trade, freedom of movement seems to vanish gradually. A bit like the chess player Stephan Zweig mentally reconstructs the parts without physical support, I try to reconstruct the territories near the borders and walls that rise up to separate people "often" other. We can go through these areas without restriction and without trial. Just for fun to share, to reconcile and give to see the beauty in the simplicity of what surrounds us.

EXHIBITIONS: * 2009

. International Festival of Photography. Oujda
Portraits * 2005. SNAP. Gallery Bab el Kebir. Rabat. Morocco
A * 2005 quatro mano, working with Mounat Charrat, El Piropo. Bilbao. Spain.
* 1992: The streets of Paris, Postern of Poplars, Paris.
* 1987: Attitudes on the market, House of Cultural Activities, Talence.


SOLO SHOWS

* 2008 Trip Report, Southern Morocco. House of the Americas, Washington DC
* 2006 "The Road to Ithaca". Galerie Mohamed El Fassi. Rabat
* 2006 My short stories. French Institute in Fes
* 2005 My short stories. French Institute of Casablanca
* 2005 Festival of Asilah. The traveler still, book a trip fictitious
* 2002 All these walls that surround us. El Piropo. Bilbao. Spain. * 2002
Communal areas, places of (my) memory. Amphytrium. Casablanca. Morocco
* 2002 Florence Siena made at the Palace Romorantin. Romorantin. France.
* 1999 Zen. Ameet Nanji's Performance Studio, Santa Monica. USA.
* 1997 Blue. Gallery Omar Khayam. Casablanca. Morocco.
Shadows * 1996, Open Letter. Paris. France.
1993 routes, Crossroads Books, Casablanca. Morocco.


Books
Atlantic Sahara. Splendors of the Moroccan desert. Crossroads. Casablanca.
Khaimah. The black tent of the desert. Marsam. The palm of Casablanca
Asrir. Crossroads. Casablanca.
ONA Foundation's collection. ONA Foundation.


saad@tazi.net

Pilot Salary Canada 2010

Corinne TROISI

I work on the illusion of perception the other, most often in facilities in situ. Anamorphic characters that I put in space will be discovered only from a unique perspective, that the walker must seek. As in life, where to meet someone in its truth and fullness, we must overcome the image he gives of him or that we would like to see. The two tables are part of a series of "dignity." Faces painted on corrugated iron, very close, which must be away for eye contact.

Born in Abidjan, Corinne Troisi lives and works between France and Morocco.
degree in Education Sciences, trained in acting at the Theatre de Levallois and the Directorate
audiovisual production and documentary filmmaking, she also studied Ethnology
in Paris X Nanterre and the Arts to Paris I Sorbonne. She has been affiliated since 2006 at the Maison des Artistes of Paris.
Corinne Troisi comes trades performing arts and audiovisual : Actor, sound engineer, stage designer and film director of TV production, documentary filmmaker ...
If she expresses her creativity today in the Arts, she kept an eye videographer. Her choice of framing and perspective give her work a cinematic depth of field.
the heart of its concerns: the spirituality and the human soul, it appears that the complexity in anamorphic, invitations to reflection and careful observation of the other.


Rabat EXHIBITIONS (selected works for the Florence Biennale 2011)
"dignity", September October 2010, French Institute,
"Corinne Troisi 2010, January 20 to February 20, 2010, ab gallery, Rabat
Corps and figures of the body" of December 9, 2009 April 30, 2010, Art Space of Societe Generale, Casablanca.
"Parcours d'artistes", May 2009, Rabat
"Figure in situ", from 8 to 30 April 2009, French Institute, Rabat

corinnetroisi@yahoo.fr

Green Mpeg Imports Premiere Pro

Nelly STETENFELD

Originally my work there is a fascination with the biological world, evolution and graphics over its history. In my work, I take the vocabulary This pictorial universe appropriating me to write a world that I would own. A world of hybrid perpetual mutation, through various media such as drawing, printmaking and animation.
Teratogenicity is a collection of hybrids, a book created for fun that the reader can get into my game and give shape to his own monsters. As naturalists fantastic of yesteryear, we can propose a theory of evolution peculiar to each.

;

graduate of DNAP in 2010, Ecole Nationale Superieure des Beaux-Arts in Paris.

Exhibitions:

2009

International Biennial of Engraving and New Images of Sarcelles.

2009

Collective exhibition workshops etching and lithography of Fine Arts in Paris.

Rueil-Malmaison

2008

Exhibition Prize Drawing David-Weill.

Institut de France

nelly.stetenfeld @ ensba.fr

High School Basketball Warm Ups Songs

Romain TRINQUAND

My sculptures are a grotesque world, between the humorous and cruel. I like to move very fast operating procedures to practices more measured and delicate. A world of metamorphosis, when the animal occupies a central place, but précaire.Mes sculptures are highly variable in size and interact with each other, playing with the idea of scale. Are making the leap from the inordinately large and meticulous details like hand sewn teeth.
The abnormality is often present, putting the viewer with a story where things disfonctionnent, as can be seen with the pig hanging on the door or with the two bears had fallen from their chairs.
Many of my sculptures explore the idea l! soft, the concept of "Antiform". That's why I love working with fabric. The material under its own weight, gravity acting on the form. Designer, I explore the parallel between drawing and sewing.
Dad, plush black vinyl over 3 meters tall, evokes ambivalent universe: the comic character's face seriously the embodiment, the fun of meeting the regressive "doll" and the trashy material, proximity the marvelous and monstrous. In
Sad song, it's a pant that becomes a story, the story of a bear dies and his friend who looks impuissant.Accident ordinary pants falling off a chair.
With Pig hanged, opposes the soft animal's sprawling and wide dynamic range of this board which is
know why.

Roman Trinquand

2010

"The monologue Adramélèc" - National Theatre Genevilliers - realization of scenography

"Oddities "- First International Performance Art - Co-organization in cases where & Regional School of Fine Arts in Besancon

"Lab 01" - Artists Commissioners - Anis Gras Gallery South Paris - Arcueil

"Is this how people live? "- Talmart Gallery - Paris
" 8th Biennial of Young Creation "- The Graineterie - Coal

2009

" HaHa exhibition at The Dukes - exhibition presented by The Vault galery-Lancaster (United Kingdom)

Participation in the publication of the creative impulse - book of cartoons - Publishing Art Link

2008

Young Contemporary Sculpture - Andrésy

My Own Private Collective exhibition in Situ - Metro Palais Royal - Paris

2007 Collective exhibition of drawings of machines - Ensba - Paris

www. elancreatif.fr / Roman .
html www.trindlerschinquand.blogspot.com

Delete Call History On Uverse

Antonin SALSMANN

Work "day by day," a logbook states " body and heart "at risk of living in pieces scattered by the vagaries of the world that plays with us.

Being scattered, but not lost. All these fragments are drawn and painted compositions included in sometimes fleeting (boards inventories and mazes), still stored in books "memo" and "folios" in a final attempt to live coherent .

This paper work coexists with paintings on canvas that are one of the data submitted in the light, like so many bottles in the sea waiting for a response.

The return of reality we confirm our existence, even precarious, and a return human kindness and declare: "It will be ... If the piggies do not eat."

Paris in July 2009.

AS.

EXHIBITIONS:

2005 - Exposure 1 / x ENSBA - PARIS

2009 - Exhibition Gallery at Crous - PARIS

2009 - CURIOSA - PARIS

2009 - , "Bugs & Creatures" - The private collection - PARIS

2010 - Gallery Talmart - PARIS

antonin.salsmann @ ensba.fr

Compaq V6000 Coprocesser

Mohamed RACHDI

"The Territory of Eros"

2010

Dimensions variable

Intervention situ with wall drawings,

flags in various floral fabrics and sleeves Wood .

EXHIBITIONS (selection):
Since 1986, various solo and group exhibitions in France and abroad
. Selection since 2000:
- Frequently Abu Dhabi with the gallery El Marsa (Tunis), November 2010
- Marrakech Art Fair with Galerie El Marsa (Tunis), October 2010
- The Oasis of desire, Agora Gallery , Marrakech, 2010
- Labyrinths and rosettes, gallery Marsam 2, Casablanca, 2010
- Footprints and scripts, Agora Gallery, Marrakech, 2010.
- The rosettes of desire, Nadar Gallery, Casablanca
2009 - Signs & Landscapes, Gallery Loft, Casablanca, 2009
- From mouth to mouth, Space Art St. Germain, Amiens, 2008.
- The Well of Desire - Mohamed Rachdi & Co, Church of Our Lady of Montataire and Matisse
Area of Creil, Oise (April-June 2006).
- XX-XY-Female-male Etouvie Cultural Centre, Amiens (February-March 2006)
- For fun, Instant Gallery, Montigny-le-Tilleul, Belgium (November 2005 - January 2006
)
- Invitations artists (under): installation and performance on the steps of
House of Culture in Amiens (November 2005)
- Sleep poet's love, Gallery of Contemporary Art, Chauny (May-July
2005).
- Performance and video projection with AZ-IN & MO, as part of
Videoattitudes, Lucullus, Amiens (February 2005)
- Figures Gallery FRAC Picardie Lycée Jean Rostand - Chantilly (2004).
- 2 stroke, 5 movements - Espace Saint-Leu, Amiens (2003)
- Mediterranean courtyard College Berthelot Nogent-sur-Oise (April-May 2003).
- Dunes of Desire, Contemporary Art Gallery d! Espace Culturel François Mitterrand
, Beauvais (2001)
- Vanes in the wind, Museum of the Abbey of St. Riquier (2000-2001).
- Ports of Call, Espace Paul Mayer, Amiens (2000).

OFFICES (selection):
- Body and figures of the body, Art Space Societe Generale (Casablanca),
December 2009 - May 2010.
- Signs & Landscapes, October 2009 - Loft Art Gallery, Casablanca.
- Abdelkébir Rabi - Shadow Tests (December 2008 - April 2009) - Space Art
Societe Generale, Casablanca.
- FIAV.04, FIAV.05, and FIAV.06 FIAV.07 (Video Art Festival Pictures), co-commissioner
festival in four countries (Italy, Tunisia, Spain, Algeria)
- Vidéoattitudes, 4th Edition: design, commission and production of the Festival International
around video, multimedia and new artistic attitudes since 2004 in Amiens.
->>> interference - Moroccan references to contemporary art design,
Commission and implementation of a culture (exhibitions, meetings and conference
) in Amiens, in the Dyeing and through the network of cultural venues Amiens
metropolis and environs, July 9 to September 11 2004.

PUBLICATIONS (selection): Two books
:
- Interference - Moroccan references to contemporary art, ed. the-RARE
Amiens, 2005, 300 pages.
- Art and memory - the invention of the native oasis, ed. Harmattan, coll. "Opening the
philosophical", Paris 1999, 210 pages.
Articles: Fifty
d! items in various catalogs, magazines and anthologies.

-BUSINESS MEETINGS (selected):
Various lectures, participation in symposia and round tables in Morocco and abroad
, France, Belgium, Netherlands ... Examples:
- "Contemporary Art and Islamic references," October 2009 conference in Riad
Denise Masson, French Institute of Marrakech.
- "The share of shadow in art", April 2009, design and coordination of the international symposium
at Societe Generale, Casablanca.
- "Love Difference," September 15, 2007, meeting and debate on a work by Michelangelo Pistoletto
, Musée d'Art Moderne de Saint-Etienne.
- "The language and forms, design and moderation of the round table as part of
International Book Fair of Tangier, 01mars 2007.
- "Morocco and the World: Contemporary Art", February 9, 2007 at KVS - Royal Flemish Theatre Brussels
).
- "The role of video in the practices of artists from Morocco" on 29 October 2006 at De
Veemvloer, Amsterdam.
- "Arabesques and digital paths Celestial October 21, 2006 at the Matisse Museum
Catteau Cambrésis.
- "The production of artists from the Moroccan immigration to the test of globalization
" March 2, 2006 at the University Cadi Ayyad, Marrakech.

rachdimooo@gmail.com

Cat Ate Balloon Ribbon

Pierre ROY CAMILLE

I always spent hours watching the patterns of Earth's crust and cuts of geological strata that can be found in encyclopedias and dictionaries. "I got a sense of control and create my own world and to discover what lies beneath the surface of things.
same time, I was fascinated by the imagery "futuristic" used in scientific and medical aspects of primitive and soft organs and bones, transcended by the Medical rationalization. Extension representations of scientific and computer images of spikes in films and series of action and sci-fi of the 80s, such as Tron let me grow up longing for a future that did not exist. ; I also discovered at that time, along with millions of people, images of a clean war, live in front of my TV. These pictures, filmed at night, shooting, explosions, tracer bullets and bombs were guided both beautiful, mesmerizing and so deadly ... Make these aspects exist in the same pictorial space allows me to represent a place where past and future create a new present, a sum of possibilities, in a landscape become. My work speaks of remembrance, but not of nostalgia, the feeling of childhood through the filter of my adult eyes. I
based on expectations and assumptions of the viewer from the image to build devices that thwart. These images do not engage with evidence. Through the use of resins and varnishes, I produce an image stealth, which is discovered only in pieces and at times, but never in its entirety. This forces the viewer to confront the image that eludes and his own reflection in it embeds. A feeling of looking in a mirror that never ceases to send another reflection than ours, but we like so much. The source and the manufacture of these images is deliberately difficult to define, they located the boundaries of photography, painting and printing. I deliberately cultivates this confusion and sometimes the discrepancy between the image produced mechanically or by mathematical calculations and the image produced manually. The result is an artifact that I am particularly interested in the way of slipping between two worlds or two modes of dialogue and shows the rating fallible, sensitive, this grain of humanity.

January 2009 - January 2011: Resident Artist Workshops GINKGO, Troyes 10000

June 2007: Getting the DNSAP at the Ecole Nationale Superieure des Beaux-Arts

SOLO EXHIBITION:

March 30 to 10 April 2010: Exhibition Check Point has CROUS Fine Arts Gallery, 11 Rue des Beaux-Arts 75006 Paris

September 24 to October 18, 2009: Exhibition at the Grand Hotel Kempinski, Quai du Mont-Blanc, Geneva

EXHIBITIONS:

March 26 to April 30, 2010: Exhibition Workshops Ginkgo St Vincent in the Cave, Champagne Chassenay d'Arce, 11, rue du juicer 10100 Ville-sur-Arce

October 2008: Young Creation 2008 international exhibition of contemporary art, Paris, Grande Halle de la Villette

November 18 to December 16, 2007: November in Vitry, international prize for painting the town of Vitry sur Seine

April 26 to May 20, 2007: 52nd Salon de Montrouge

www. Roy - camille . Com

Saturday Night Live Fart Device Commercial

Thomas PERRINO

past few years I focused my research on the work of plastic composition. I use it for the medium of woodcut that allowed me to (literally) the challenges associated with surfaces. In doing so, I have focused my work on the representation of the female figure. This practice, I defined under the name barbaric "Physiognomy of the anima." Physiognomy is a theory that claims to study the physical characteristics of individuals to understand their mental constitution. The anima in turn is in Jungian psychoanalysis, one of the main archetypes capita unconscious, idealized woman who can simultaneously be seen as goddess / mother / daughter / sister / friend / lover who is in man a kind of double. In this research cluster physical characteristics of my anima and its contextualization in the space of the image, I seek to collect the mechanisms that constitute it. This work allows me to work on the issue of otherness, the double and by extension that of fiction.

Professional Experience

2009 - Visiting Professor in the context of an introductory workshop in the woodcut at the Ecole Superieure des Beaux-Arts in Nîmes

( one week)

2009 - Jury member of diploma of studies at the School of Visual Communication in Paris 2008-2009

- Director of woodcuts for William McKendree and Stephane Bordarier to Workshop Michael

Woolworth

2006-2009 - Illustration several books published by Threshold Youth

the Show 2010 - Exhibition "In the land of Alice and Wonderland story" in the house of tales and stories

Paris 2010 - Exhibition "Is this how men live? carte blanche to Michel Salsmann "gallery Talmart

Paris 2009 - Exhibition" singular / lonely "in the gallery CROUS

Paris 2009 - Exhibition of original illustrations to" call the book "Bordeaux

2008 - Exhibition of original illustrations in a French bookstore in Tokyo

2008 - Participation at the "Salon May »Paris

2008 - Participation in the exhibition" Alice "still Alive" in Neuilly sur Seine

2008 - Appointment to Award Tatoulu "

2007 - Exhibition at the Paris gallery CROUS

Salons

2010 Book Fair Limoges

Book Fair 2009 Bordeaux, Geneva and Angers

2008 Book Fair of Caen and Saint-Etienne

Publications

Artist Books

2006 - "The hours of Grace "(woodcuts)

2004 -" Memory and its double "(silkscreen)

2003 -" The Torment Maurice "according to a text by Stephen Fox (silkscreen)

2002 -" Moche and con "of a text by Stephen Fox (silkscreen)

2001 -" The war of the beasts "(silkscreen)

2001 -2008 - participation in several fanzines

Editions du Seuil

2009 - "Puss in Boots" by Charles Perrault

2008 - "Alice in Wonderland Lewis Carroll from

2007 - Book Cover "The little blue porcelain bowl"

- Cover of "The Curse of Jack the Ripper "

2006 -" Peter the Wolf "after a text by Elizabeth Quin

troma2@wanadoo.fr

How Do I Get Free Bang Bros

Claire PEDOT

Integrates School Beaux-Arts in Paris after four years in
school of architecture. Graduated in June 2009.
I treat the anxiety of confinement, creates a set of resonance between the patterns and colors, materials and textures, saturated colors or deaf. The bodies merge them, characters transparent, ghostly mingle with the spaces they inhabit.
They are trapped as we are locked into our body wraps and boxes in our architecture.
The daily domestic and the world are recurring themes in my work. The content and the container will respond in a logical and deliberate in the universe that I created.

Claire Pedot

EXCERPT from the book "Schweinemetzgerei und Perversionnismus", 24x31cm The technique used is the silkscreen .

www.elancreatif.fr/ clear p.html

Bicycle Conversio Kit Singapore

Silvio MAGAGLIO

I'm interested in graffiti since 1982. I discovered this community on the benches of the school and then in the first books available.

I began to document the subject in 1996 and I am quickly attached to photograph the artists while they were making their parts. The next day I returned to make a color photo with good light conditions to keep a record of the painting. I think I have been privileged to witness the youth of future great artist and I love above all remember the moments spent hanging out in these factories and vacant lots of Paris and major European capitals.
The picture is for me the best medium to share these moments and show the human dimension of his work. I work regularly in literature dealing Graffiti in France.

Silvio Magaglio

;

EDITING / PUBLICATION

2006 "Black Book Finest" co-author of the journal

2007 Published in the magazine "Franck 151" France, USA, Japan


2008 Published in the magazine "Clark" No. 29 and 33

2009 "Beat the Clock"
Published in the magazine "Clark" No. 34


EXHIBITIONS 2009
"New York City: Whole in the Wall" Group Show - Gallery
Helenbeck, Manchester
2007
"The law against-the-street" Helenbeck Gallery, Manchester

2001 Group Exhibition, Galerie du Jour Agnès B, Paris

streetfiles.org / silvio - magaglio

Which Uses More Oxygen A Reptile Or Mammal

Imad MANSOUR

Imad MANSOUR, by his choice of themes, always seems to find difficulty, the challenge, in view of the other , our vision as observers. In his videos, humans inhabit a scene that sometimes something theatrical. The world as a perspective, as askance, as a reflection. Sesvidéos sow doubt about l! opposition between inside and outside, front or back, between reality and its reproduction, between communication and silence, between man and woman. The mixture of traditional concepts makes communication possible between opposites that eventually resolves itself. Imad Mansour
lets his characters right on their appearance, and he places them in the right light and let them express their own way, exposing the complexity of the characteristic of each of them. This leads to the essence of what "he wants to show through the filter of personal view, gaze, and he discovers that seduces the viewer to take them to the known l! as new and as other.
Jesus M. Castano

;

He studied fine arts and film at the School of Fine Arts in Baghdad, the scene at the Jacques Lecoq International School
and stage design at the Laboratory of Movement Studies in Paris. He began his career as an illustrator for the magazine Madjellati.

Impregnated in Mesopotamian art, Imad Mansour reinvented through paintings, sculptures, performances, installations and videos, a language with a legacy d! echo vibrates at present.

Artist Franco-Iraqi, living in Rabat, his work ranges from an aesthetic and also the critical engagement with accents whistleblowers. It directs its research towards dynamic creations of space and rythme.Toutes his works are in motion, people or material. Diverse in form, its expression in multiple, varied in its materiality, his work explores the mechanisms of vision and place the viewer.

His videos sow confusion about the opposition between inside and outside, between reality and reproduction, between communication and silence. His creations jostling the audience into his vision of the other, in his vision as a spectator.

Imad Mansour's work is part of the movement of Conceptual art, sculptures, installations and

his videos are of viewpoints between a past still present in and through matter and a future intemporel.Unie in its genesis, in its plural forms, the work of Imad Mansour merges into a perpetual motion in search of its origins, those of the world and the self.

With artists in Morocco it creates the collective 212.

Since 2002 he lives and works between Morocco and France.

imadm212@gmail.com